Tune of the Day: Andante by Scherer
This is the second movement of a Sonata in E written for three German flutes by Johann Scherer, a German composer of the 18th century.
Thanks to Joyce Kai for contributing this piece!
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This is the second movement of a Sonata in E written for three German flutes by Johann Scherer, a German composer of the 18th century.
Thanks to Joyce Kai for contributing this piece!
This charming piece for Flute and Piano was written by French Romantic composer Emile Pessard. With its use of characteristic modes and rhythms, it captures the sound and spirit of flamenco music, which has its origins in Andalusia in the south of Spain.
Thanks to Jessica for suggesting this piece!
The earliest appearance of this slip jig, under the title “Cusabue Ord” (probably a mangled version of the Irish “Cosa Buidhe Arda”, meaning “Long Yellow Legs”), is in O'Farrell's Pocket Companion for the Irish or Union Pipes, published in London around 1805. The tune was also notably included, as “Cogue in the Evening”, in the mid-19th-century manuscripts of collector James Goodman, who attributed it to the famous 18th-century uilleann piper Walker ‛Piper’ Jackson from County Limerick.
Today we propose the twenty-sixth étude from Sigfried Karg-Elert's 30 Caprices: a “Gradus ad Parnassum” of the modern technique for flute solo. The quintuplets should at first be practiced as if they were made up of two sixteenth notes followed by a triplet; later, the five notes must be equally balanced.
This is the third duet from La scuola del flauto (The School of the Flute) by Italian composer and arranger Luigi Hugues.
Thanks to Paolo for contributing this piece!
Though this is listed as the last of the 21 nocturnes of Chopin, it was chronologically his 13th. For those attaching superstitious significance to that numbered position, they will not find this an unlucky piece in any sense. The only problem with this posthumous nocturne actually concerns numbering: in many editions it is not numbered at all, while some refer to it as No. 21 or No. 20a, and some other as KKIVb No. 8
Thanks to Melissa for suggesting this piece!
This slip jig is taken from Francis O'Neill's collection The Dance Music of Ireland, published in Chicago in 1907. Although that seems to be the earliest appearance of this specific setting, this is clearly a member of a family of tunes which has been around since the first half of the 19th century.